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eMusic’s “Best of the Americana Music Festival 2013” compilation features five Yep Roc Artists

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Back in September, we headed to Nashville to rock the Americana Music Festival and host our first Music City version of the Redeye Residency. While we’ve brought this show on the road to Austin for […]


Sawyer Sessions kicks off with Kim Richey

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Sawyer Sessions

A new session-based series called Sawyer Sessions kicked off today with our own Kim Richey performing “Angel’s Share.” Watch the performance, filmed in historic Hillsborough, NC, in the player below.


Aoife O’Donovan, Josh Rouse, and Mandolin Orange and Kim Richey to perform at the Americana Music Festival

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Aoife O’Donovan, Josh Rouse, Mandolin Orange, and Kim Richey will be a part of this year’s 14th annual Americana Music Festival, Sept. 18-22 in Nashville. See the full line-up via americanamusic.org, and check back for […]


Watch Kim Richey’s THORN IN MY HEART album commentary.

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Kim Richey

Watch Kim Richey’s full album commentary for her newest release Thorn In My Heart now in a YouTube playlist.  The playlist is located on Kim’s YouTube channel, as well as in the player below.  For […]


Kim Richey’s Yep Roc debut album THORN IN MY HEART is now available for purchase!

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Kim Richey Thorn In My Heart Yep Roc Records

Kim Richey’s new album Thorn In My Heart is now available! Grab it at the Yep Roc Store and HERE at iTunes. Two-time Grammy-nominated Nashville-based singer/songwriter Kim Richey, who “writes some of the most beguiling […]


Kim Richey premieres the title track from her upcoming album THORN IN MY HEART on USA Today.

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Kim Richey Thorn In My Heart Yep Roc Records

—> VIA USA TODAY What changes does a song go through from work tape to finished recording? Nashville singer-songwriter Kim Richey offers a look inside the process with Thorn in My Heart, the title track […]


Kim Richey to make Yep Roc Records label debut with THORN IN MY HEART.

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Kim Richey

Two-time Grammy-nominated Nashville-based singer/songwriter Kim Richey, who “writes some of the most beguiling melodies and freshest chord changes of her generation” (Washington Post), and “has built a career on blurring genre boundaries and confounding listeners’ expectations” […]